During any conversation about birds, very often, I am asked, what I think of mobile phone radiations affecting  sparrows. I tell them, I don't believe in that theory. I've never believed in that theory. I have my reasons for that, which I'll talk about.

But, before that, let me tell you what I think is the biggest reason for the dwindling sparrow population:
lack of nesting space.

For centuries, sparrows have been living with humans. Knowingly or unknowingly, humans have supported sparrows. The thatched/tiled houses which gave sparrows places to build their nest, have given way to box type concrete houses. Even in older concrete houses, there were small provisions which could support sparrow nests. But, houses these days are just boxes! With this change, we've driven them out of our lives.

Now, coming back to the reasons why I don't subscribe to the mobile radiation theory:

  • Sparrows are found in abundance in places where they have nesting spaces inside human houses, despite the locations being busy areas with lots of mobile phone towers. Go to North Madras where you have old buildings - Parrys, Mint, Armenian street etc, - which are so busy with many mobile towers - you will find sparrows thriving there. Some of the streets around Commercial Street and KR Market in Bangalore, the busiest shopping areas of Bangalore, support several Sparrows. There are many old houses and buildings in this area which have suitable nesting sites for sparrows.
  • In 2012, Sparrows were reintroduced in several suburbs of Chennai. Nest boxes were supplied free of cost to the houses in these areas. And, sparrow population started increasing there, despite mobile phones towers.
  • Birds which are as small as sparrows or even smaller - say, Ashy Prinias, White Cheeked Barbets, Coppersmith Barbets, Sunbirds etc - are found in abundance in cities. So, mobile phone radiation affects only sparrows and not other birds? I don't think so. Barbets make holes in trees to build their nests. Sunbirds build protected basket type nests, hanging from tree branches. These species probably don't need our support to survive, but the sparrows do.
  • In areas where sparrows are found, it is not uncommon to find sparrows perching on cellphone towers.
Even scientists are divided on the mobile phone theory, which hasn't been proved at all. The media glorified that theory, it became popular and everyone now thinks mobile phones are killing the sparrows.

"Recent studies in institutions across the world have contradicted reports of radiation from cell phones and their towers damaging the eggs of sparrows, and thereby contributing to their reducing numbers." - Arunn Narasimhan, Associate professor, IIT Madras.
https://home.iitm.ac.in/arunn/cell-phones-and-sparrows.html
http://www.thehindu.com/news/national/tamil-nadu/cell-phone-radiation-may-be-harmful-but-not-lethal/article5113454.ece



It is not beyond us to bring back the sparrows. Blaming mobile phone radiation for missing sparrows and not doing anything is the biggest blow we can deal to a friendly species which depends solely on us for survival.

What can we do?
  • If you can spot sparrows in your locality, you can place nest boxes in your homes for the sparrows to nest. Nest boxes are available for sale from Nature Forever. Or, you can even make one on your own
  •  Place bird feeders and bird baths in your garden/terrace/balcony, which will help not just sparrows, but other birds too. Summers can be too taxing for the birds. Placing bird baths with water can be the biggest help you can do for birds, during summer.
  • If you haven't spotted sparrows in your location in a while, get in touch with organisations like (Enviroment Foundation of India, for example) which specialise in sparrows restoration and reintroduction.
Let us stop blaming mobile phone towers based on an unproven theory, and do something useful to support the species which depend on us for survival.






By Aravind on Thursday, March 20, 2014 at 8:29 AM Post Categories: ,
Imagine a regime where the rulers/dictators control everything you do. They decide what is good, what is bad based on what they like and what they don’t, and force it down people’s throats. Your preferences don’t matter. People are irritated by them. If anyone points out flaws, they’re attacked. If this reminds you of Taliban, think again. What if I tell you such a group exists right here, in Tamilnadu? Everything I’ve said above holds good for this group, except that they don’t have the power and control. Thankfully, most of their activities are restricted to the social media.

This is the group who call themselves “Music Mafia”. They are supposed to be hard core fans of Illayaraja. That’s how they would like to be identified. You’d expect them to spread the joy of their idol’s music. But, that’s usually not what they do. Their prime focus is on talking ill about other composers’ works. Music is supposed to be a positive aspect – it has to ring in positive thoughts. However, this mafia hardly does anything other than spreading negativity. For this reason, I don’t think it’s right to call them a “music” group. They’re nothing but a group of social media extremists. What a befitting name they've chosen for themselves.

Before we go further, let me clarify one thing – I am a big fan of AR Rahman. You may wonder of any bias – but as you read through, you’ll realise that I’m stating  just plain facts and not my opinions (which may be biased)! The recent sentiment from people (on twitter) who are not fans of any particular composer, reflects this group’s atrocity, which is increasing each day.

The “mafia” discredits any music other than Illayaraja’s. While their anger was usually restricted to AR Rahman, the “mafia” has now started writing off any other composer with even a little hint of success.

The person who they focus most of their energy on, is AR Rahman – sometimes I even wonder if they think about AR Rahman even more than hardcore Rahman fans. The “mafia” just can’t talk about IR’s greatness without belittling AR Rahman. No surprises here, as Raja himself is so bitter when it comes to AR Rahman – being his ardent “devotees”, the mafia would obviously toe his line on this. But, while Raja grabs any opportunity to take digs at AR Rahman, this group keeps creating opportunities to talk ill of ARR – as I said earlier, spreading negativity is their forte!

They meet to celebrate Raja’s music, and they end up dissing ARR. They write blog posts about that big meet up, they end up insulting ARR in that too! They write reviews of Raja’s background score, but they take a dig at ARR. There was a Raja concert recently in London where the music of Raja’s Megha was released. One would expect them to rave about the album and the concert. But, what do these people do? They find old interviews of AR Rahman and tweet silly comments about it. Shows their priority, right? I mean, when they have a new album and a concert to tweet about, why else would they ignore all that and read old interviews of a person who they hate?

They question the “lack of nativity” in Kadal’s music, but when someone talks about the wah-wah pedals and electric guitars in Karagaatakkaran songs/BGMs or the chorus singing “baby baby” with techno beats, electronic pads and synth arpeggios in the period film, Ponnar Shankar (I’m not making this up, there really is a “baby baby” chorus in Ponnar Shankar!), they either change the topic or they hurl abuses. Why would they care about decency, when they stoop this low anyway?

They have been doing this for over 20 years now – but, this seems to have worsened in recent times. I wonder how other composers like Deva and Vidyasagar weren’t targeted. Deva was most prolific in the 90s, wasn’t he? And, Vidyasagar had a good run in late 90s-early 2000s. Probably because Raja had decent successes during that period? Towards the end of 90s, though, their insecurity increased. And now, their insecurity seems to be at a peak. Their “arch-rival” AR scaling new heights, young new composers doing really well, coupled with Raja’s failures seems to get on their nerves! They even target 3-film old Anirudh these days. On twitter, there were so many jibes at Anirudh after the recent news about him recording with the Hungarian Symphony Orchestra!

I do not follow any of these mafia people, as my timeline would be filled with nothing but negative tweets and hate speech. I end up seeing some of these tweets once in a while, when retweeted. Sometimes, I honestly feel sorry for the state they are in. But, this is not going to stop – On Monday (7th Oct), a single from Kochadaiyaan is going to release. Be prepared for a slew of hate tweets from the mafia, while I will happily enjoy the new song, having muted the hate tweets!

For now, I leave you with this - Let real peace spread throughout the world. Let’s throw the negativity out!

By Aravind on Saturday, October 05, 2013 at 7:08 PM
As Mani mentioned in the interviews, Kadal is is a 'good vs evil' film.

The good man, Sam (Aravindswamy) and Satan, Bergmans (Arjun) are brothers in a Seminary, with Bergmans having joined the Seminary to feed himself and his poor family and Sam, to serve the Lord. Bergmans is thrown out from the Seminary, as Sam reports to his superiors that Bergmans has broken the oath of Celibacy. Thus begins the 'good vs evil' fight which forms the crux of the film.

Several years later, Sam, now a catholic Father, comes to a village, where he mentors Thomas, an orphaned kid who grows up to be a handsome young fisherman. The good vs evil fight restarts, this time with Thomas joining in. Meanwhile, Thomas is smitten by Beatrice, a nurse. Questions like where does Thomas and Bea fit in this fight, do they get together, how does good triumph evil are answered as the second half of the film unties all the knots.

Mani Ratnam and Jayamohan have woven a beautiful script, which keeps you interested till the end. The efforts taken by them to bring in the nativity of a fishing village is so evident. At the end of the film, you feel like you've visited the village and lived there.

Arjun as the unapologetic satan and Aravindswamy as the oh-so-pure Father and Thomas' mentor, have played their parts well, though Arjun reminds us of Pugazhendhi from Mudhalvan, especially during the climax. Gautham Karthik looks promising and is convincing in his role as Thomas. Thulasi Nair is apt as the emotionally immature, childlike Beatrice.


The album, one of Rahman's best in the last 5 years, is already a big hit, with people eagerly waiting for each song in the theater. AR Rahman has worked equally hard for the background score too, with each cue fitting perfectly to the mood. I already can not wait to get my hands on the voice-less BGM tracks.

Rajeev Menon proves why he is among the best cinematographers here. The vibrant sea, the pristine beach, the church look so beautiful. The highlight is the climax scene in on the boat, with the boat tossing and turning due to the storm. Hats off, Rajeev Menon!


My only big grouse with this film is the way in which the songs were used in the film. Lakshmi Manchu once tweeted (https://twitter.com/LakshmiManchu/status/270745822809968641) that Nenjukkulle was picturised on her, but for some reason the song has been removed. The song is now played in the background for Gautham-Thulasi. Chithtirai Nila was used in bits and pieces three times in the film and Anbin Vaasale was pushed to end credits. However, the use of Magudi when Gautam turns 'evil' is just perfect. The most brilliant part of the song and the usage in the film is the 'devil' telling him in her seductive voice that once he has embraced 'her', he'll not be able to redeem himself and he'll dance as per her tunes (naan magudi daa, nee paambu).

Kadal is not a typical Mani Ratnam film. He has ventured in to new territory - in to a zone he is not comfortable with - has come out with flying colours. Kadal is a must watch. I'd rate Kadal 4 out of 5. It's one of the best tamil films in recent times (PS: I haven't watched Vishwaroopam yet).
By Aravind on Sunday, February 03, 2013 at 2:25 PM Post Categories: ,
There are two versions of the Nenjukkulla from Kadal - one is the unplugged version (from MTV Unplugged show) and the other is the CD version.

I've mixed these two into one track, incorporating my favourite portions from both the tracks. For parts where I liked both the versions, I've used one version in left channel and one in the right channel. You'll probably notice it only if you use headphones and/or listen very carefully!

Composed by AR Rahman.
Lyrics: Vairamuthu
Singer: Shaktishree Gopalan. 




If the embedded player doesn't work, use this link: http://i.mixcloud.com/CBxazM
By Aravind on Friday, December 07, 2012 at 12:30 AM Post Categories: , , ,
My short story "Butterfly Effect" was published in Spark Magazine.

"A discussion at an interview Rajani conducts has her questioning her approach to life, which she passes on to her young son. A M Aravind pens a story which begins with the mother observing her son walk on someone’s footprints on the shore."

Read the story here: http://www.sparkthemagazine.com/?p=4984
By Aravind on Wednesday, December 05, 2012 at 11:30 PM Post Categories:
Lyrics of the song Nenjukkulle, penned by Vairamuthu.
Film: Kadal
Director: Mani Ratnam
Music: AR Rahman



By Aravind on Sunday, November 04, 2012 at 7:42 PM Post Categories: ,
Ashok Prakash Pal was a class-8 student, who studied in a small school in a village in coastal Maharashtra. He was the son of a wealthy landlord, who had recently become a very powerful. 

Being the son of the most powerful man of the village, Ashok got a lot of respect in school and he enjoyed it and often misused it. He created an image that he was the coolest kid around and that it was fun hanging out with him. Several of his schoolmates fell for it. Soon, he had a big group of students accompanying him wherever he went. The only thing missing was an official "Ashok fan club". Even when Ashok cracked the oldest joke on the planet, the kids around him laughed as though it was the funniest thing they'd heard. He had created such an image that anything he said and did was "cool".

All that partly changed, when a bright kid named Sampark Singh joined the school. He was friendly. He was genuinely talented, hard-working and had an awesome sense of humour. Slowly, many of the kids who were once behind Ashok, started feeling that Sampark was way "cooler" than Ashok. Sampark's clout increased rapidly. Barring Ashok's closest "fans", everyone else agreed on who the cool-guy of the school was! Sam, as they called him fondly, became the toast of the school.

One day, their science teacher asked them to do a project on the flora and fauna of their village and their surrounding villages. Sam thoroughly enjoyed working on it. He travelled around the village and to the neighboring villages collecting leaf specimens, taking notes of animals and birds he'd seen. He got back to the library to identify the species that he'd seen and noted down. He also helped out many of his friends who were stuck. 

By this time, Ashok, too, was in good terms with Sam. Both of them spent a lot of time at the library, exchanged notes and even worked together. Sam shared a few leaf and flower specimens which Ashok had missed. Sam suggested the books they should refer to, for project ideas. He even shared his copy of the book. Finally, they all completed and submitted their projects. The next day morning, the science teacher called Sam to the staff room.

She said, "Sampark, Ashok came and met me yesterday evening. He complained to me that you had copied several ideas from report. I went though the reports, and I found several portions of your report similar to Ashoks'". Sam couldn't believe what he was hearing. He was in tears. "But, miss, that could be because we used same reference books. I even helped Ashok out, with some parts of the project", he said.

"No excuses. You should feel ashamed of yourself, Sampark. You are disqualified from the contest", she said sternly.

SamSingh was so frustrated with himself that the evil AP.Pal had taken him for a ride. "Life's not fair", he muttered, as he left the room in tears.

PS: This story is not connected in anyway to any smartphone makers. Any similarity is purely coincidental :P :P

By Aravind on Friday, August 31, 2012 at 3:15 PM Post Categories:
It was pitch dark at 4.30am, when 18-year-old Nakshatra stepped out of her medical college hostel in Pondicherry. Within a few minutes, she boarded a bus to Chennai. She was on her way to visit her grandparents, who stayed in a beach-house on East Coast Road, just outside Chennai.

Nakshatra always got excited at the thought of spending time with her grandparents. Though she loved both of them, she was closer to her grandfather, Mugilan, than to her grandmother, Lakshmi.  Till she joined college, Nakshatra stayed with her mom, Daamini, in T.Nagar.  Living with a single mom meant she got some fatherly love only during weekends, when they visited her grandparents.

Nakshatra had special love for the beach house too. Mugilan, who was an avid Douglas Adams fan, had named the house ‘The Bhateu’, which stood for ‘Beach House At The End of the Universe'. Though she had no clue who Douglas Adams was, Mugilan’s wife had accepted the name only because it sounded like the Batu caves in Malaysia, which houses the world famous Murugan temple!

The Bhateu was just a small villa, but it stood on a huge 6-acre ground. Nakshatra’s great-grandfather had bought 10 acres of land for a throwaway price, several decades back. Mugilan had sold off four of those ten acres, to manage the expenses of constructing his dream house, 22 years back and for Daamini’s wedding, the next year.

Mugilan had designed it to be the perfect place for them to stay after his retirement, making sure it suited well for his interests (astronomy, reading and birding) and his wife’s (gardening, reading and spirituality). The terrace housed his homemade 10-inch reflector telescope. A mini library inside the house had a computer and more than a thousand books. There was a cosy prayer cum meditation hall for his wife. A small kitchen garden, a flower garden and a lotus pond covered a small portion of the open land, while the beach and a scrub forest (home to many birds and small animals), formed the rest of the area.

Sitting alone on the bus, Nakshatra’s thoughts wandered off to the times she spent with her grandfather at The Bhateu. Mugilan was knowledgeable in several fields of science. If Nakshatra wasn’t staring at the stars in Mugilan’s company, she would be listening to his lectures on science – if it were electronics one day, it would be quantum physics or life sciences or evolution the next. It was because of Mugilan that Nakshatra developed such a deep interest in science. Though she lived with her CA mom, Nakshatra was “allergic” to anything related to accounts and finance.

Her train of thoughts wandered around several childhood memories and she started reliving one particular evening, when she had upset her grandfather immensely. She could remember it so vividly. It was a rainy day in 2003. She was munching hot bajji and listening to Mugilan talk about NASA’s Voyager space missions and the Search for Extra Terrestrial Intelligence program. The interesting discussion came to an abrupt end, as Mugilan stopped speaking suddenly. She saw his face lose colour. Daamini, who was in the drawing room too, rushed towards them. Mugilan got up and slowly walked towards the easy chair in his room.

Daamini looked really angry, and told her off. Nakshatra had no clue of what just happened. Nakshatra, just 9 years old at that time, could not understand why her innocuous little question had created such an impact. She had just asked him, “There’s a boy in my class believes aliens and UFOs are real. Complete nonsense, I told him. What do you think, thatha?”

She didn’t dare to ask her mom for explanations that day. Or, for the next few years. She didn’t even want to ask her grandfather, who encouraged her to ask questions and answered all of them. Not until her 18th birthday, did Daamini talk about it. However, she didn’t get into details. She kept it quite short.

“Nakshatra, listen. I know you have been curious about thatha’s UFO connection. Yes, there was a UFO sighting in Chennai. It was more than 20 years back. Several people saw it. Newspapers reported it too. However, the police and the government convinced everyone that it was not any alien ship. Everyone, except thatha. He stood firm. He pushed it too far, ended up in jail and lost his job. Now don’t ask anything more about this. All of us have forgotten about it.”
 
This part-knowledge made had her even more curious. She’d gone off to college and hadn’t met her grandfather after that. Should she ask him directly? Her grandfather answered all her questions and cleared all her doubts. Will it become uncomfortable like the last time, when she talked to him about UFOs? With these confused thoughts in her mind, she got down from the bus and walked towards The Bhateu.

It was about 7.30 AM when she entered The Bhateu. She felt restless. She didn’t know what, but she knew something’s wrong. She walked in to find her mom and grandmom in tears. They’d just discovered that Mugilan had passed away in his sleep. Nakshatra broke down like she had never done. Mugilan was the closest person to her in her 18 years. She couldn’t believe he wasn’t with her anymore.

Within no time, Nakshatra’s aunts, uncles, cousins and several other relatives started coming in. Nakshatra wanted some peace and quiet. She just wanted to be alone. She went into the library room, not to read, but just to be alone. She just wanted to sit there and not do anything. But, one thought kept haunting her - her grandfather, a man of science, couldn’t have stood firm on his theory if he didn’t have proof. What did he know?

The more she wanted to keep her mind blank, the deeper her thoughts wandered. “If he was indeed right about the UFO, he had died carrying a lot of burden in his heart. For a man who breathed science, it would have really hurt him to be discredited by a bunch of morons who understood nothing of it. Just like how Copernicus or Galileo or Giordano Bruno would have felt when the Church discredited their work. Centuries later, as other scientists showed concrete proofs, Church had to admit that these great scientists were right. But, who will find proof to clear up my grandfather’s name, if he was right? It has to be me. I was the closest to him”, she thought.

Nakshatra, being an UFO-skeptic, didn’t want to believe anything till she found proofs. She tried to summarise what she already knew. She hardly knew anything, other than the fact that it had happened more than 20 years ago. Though not very hopeful that she’d get anything useful from the Internet, she walked to the computer table, moved the mouse and brought the monitor to life.

She searched for half an hour, with no luck.  Then she found this entry in a long list of “UFO sightings”.

Date
City/State
Country
Description
1990/06/15
Chennai, Tamilnadu
India
Mass sighting of large, silent, low-flying black triangles. Similar to the Belgian UFO wave. Dismissed as sightings of Planet Venus/Shooting Stars. Mystery still unresolved.

This could this be it. The time-period and location matched. She couldn’t find any other entry pertaining to Chennai, during that time period. After searching for several more minutes, she gave up hope of finding anything else on the web.

Where else could she find more info? Asking her family at this time would be inappropriate. She knew Mugilan was not in the habit of writing diaries. She started going through draws in the library. There were several old books, a few files and lots of old documents, all covered a thick layer of dust, accumulated over many years. She browsed through the old pile without finding anything. She almost gave up, when an old envelope with “Confidential” written on it, caught her attention. She immediately checked the date – 23/06/1990 – just a week after the sighting. Her heart started beating faster. Could this be it?

She suddenly felt the room to be stuffy. Long time spent in the small room and the excitement of the letter made her suffocate. She needed fresh air. She stormed out of the house clutching the envelope tightly in her hands. She felt better with the cool evening sea breeze gently brushing against her face. As she came out, she saw a group of workers digging up a grave, for the funeral that was to take place that evening. As Mugilan loved the beach house, the family decided to bury him in The Bhateu premises.

She opened the envelope. It was from the sub-editor of a popular weekly, and a good friend of Mugilan.
    
Dear Mugilan,

My apologies, first. Your UFO interview isn’t getting published. I tried my best, but the editor doesn’t want to clear it, as there is pressure from the Government and the Police. All this is between you and me. 
My sincere advice, as your friend – Forget about the UFO. You have no idea of who you are up against.

PS: I’ve attached the final edit of your interview. Just as a keepsake. Do not publish it anywhere.

Yours,
A.

She hastily opened the attached sheets and skimmed through to the part she was looking for.
Mugilan: I was returning home after spending a night overseeing the construction work of my beach house, near the VGP resorts. It was around 4.50am. I had barely reached the main road, when I saw a huge triangular object with lots of lights, in the Eastern sky.
Nakshatra’s concentration was disrupted by a sudden ruckus the workers were creating. She just couldn’t focus. She walked away from that noise and continued reading.
It was losing height quite rapidly. It looked otherworldly. According to me, it’s a UFO, which crash landed. I couldn’t see where it crashed, but judging by the distance, I think it fell into the Bay of Bengal. I wish the government commissions a search operation.

Interviewer: The official take on this is that, the public saw planet Venus and mistook it for a UFO. What do you have to say?

Mugilan: It’s a common explanation used all over the world, to rubbish of UFO sightings. That’s nonsense. I’m an amateur astronomer. I observe Venus everyday. There’s no way that was Venus. It was as big as a bus. I know it was a UFO. I will try to find proof to substantiate my claim.

As she finished reading, she wasn’t sure how she was feeling. The interview had answered a few questions, but had raised a lot more. She was surprised and excited to know that the UFO had crash-landed somewhere close to ‘The Bhateu’. If it did crash into the sea, how did Mugilan think he could find proof? Did he find anything? Was he arrested before that, and he gave up?

As she was pondering over these questions, her mom asked her to join in for a few rituals, which were to be performed before the funeral. Later, Nakshatra joined the other male members for the burial, despite strong opposition from her mother and grandmother. As people started leaving the grave after the burial, she just stood there, in tears.

Barely anyone heard her farewell to her grandfather, in front of the grave. “Thatha, there was so much knowledge you gave me. But, there’s so much I do not yet know, I wish I’d asked you. I really want to solve this mystery and clear up your name. I don’t know where I’d find more clues, but I will do it for you, Thatha.”

Little did she realize how close she was to the secret. She was also not aware that she had just walked away from the truth, while she was reading the interview, earlier that evening. Had she stood there, she’d have learnt what the workers were excited about.

“There’s some metallic object, poking from the side. I haven’t seen anything like this. Don’t know what it is”, a worker had shouted. This had caused lots of excitement among the workers and they’d gathered around to have a look at the strange object that was jutting out through the mud. But, their boss had chided them for wasting time, asking them to cover that up that trash and finish the work quickly.

The UFO, or at least a part of it, had fallen right in their land, and had been covered up all these years. The secret was still lying there. Mugilan had carried the secret with him, to the grave. Literally.



PS: Today being World UFO Day, I dedicate this story to all those people who have gone through great miseries, due to governments rubbishing UFO sightings. These people have lived their entire lives with a 'liar' label on them, unable to prove their claim.
By Aravind on Monday, July 02, 2012 at 8:57 AM Post Categories:
Yesterday, I attended a lovely live concert of Javed Ali at Music Academy, as a part of Times of India's Chennai Festival. To be very honest, I didn't expect much from the show. I love his voice and a few of his songs are my favs. Having been to a few ARR concerts, I've loved his rendition of Sufi songs with Rahman. However, I wasn't sure how he would pull off a solo concert. But, how I underestimated him. He was just brilliant yesterday!
Before Javed Ali came on to the stage, a singer named Manisha sang a couple of popular songs - Amit Trivedi's Iqtaara (Wake up Sid) and Yeh Mera Dil (Don). She was really good.

Then, Javed entered the stage and started off with the melodious Jashn-e-Bahara and Tu Meri Dost Hai (from Yuvvraaj - an interesting choice of song - Tu muskura was Javed's song in the album, Tu Meri Dost was originally sung by Benny Dayal and ARR), before rocking with a superb performance of Ishaqzaade and Tum Se Hi (Jab We Met).

As the audience kept shouting song requests, he kept patiently replying that he'd surely sing the requested songs. "Yeh gaana main nahin gaaoon toh aap log mujhe yahaan se jaane na deejjiye", he kept saying. ("If I don't sing that song, please don't let me leave this place.")

Then came the much awaited Sufi section. He removed his shoes and covered his head with a white cloth, mentioning how devoted and pious ARR would be when singing these songs and how he loved singing these sufi devotional songs with ARR. He sang Kun Faya Kun, followed by Arziyaan. He said they recorded Arziyaan in 3 parts - first part in Mumbai, second part in Chennai. And the third part, they recorded 6 months later! ARR had asked him to modulate his voice a bit and sing the "maula maula" portions with a heavy voice. He demonstrated the two versions - in his normal voice (how he first sang to Rahman)  and in his heavy voice (based on Rahman's suggestion - this is the version which is there in the CDs). There was such a huge difference. This was brilliant.

After this, came songs from Golmaal and Tum Mile. The audience kept requesting him to sing Kilimanjaro, Kajra Re and Nagada. He moved on, promising to sing those songs.

Before starting Guzaarish (Ghajini), he mentioned that they recorded 8 different mukhdas for this song, all with different lyrics, before the final version. What we hear in the CD is the 9th one. He even sang a couple of those "discarded" mukhdas. I was surprised he even remembered those lyrics.

Then, he followed it with Kilimanjaro. Manisha joined him for this song. Both of them sang very well, but Manisha's pronunciation was bad. (She apologised for her bad pronunciation, after the song). Javed Ali's tamil pronunciation was very good, almost perfect. He didn't even need to look at the lyrics sheet. After one tamil song, requests poured in for more Tamil songs. He sang just a couple of lines from Siragugal Vandhu (Sarvam).

After a few more popular numbers like Bin tere sanam and Kajra Re, he announced that the next song would be Nagada and he would close the show with that. But, the audience wanted more. They asked for Ghazals. Javed Ali's first love being Ghazal, he couldn't refuse. He said he'd sing just a couple of lines due to paucity of time, but ended up singing Ghazals for more than 10 mins, singing songs of Mehdi Hassan and Jagjit Singh. He closed this Ghazal session with his guru Ustaad Ghulam Ali saab's song. (I learnt yesterday that Javed's name ws Javed Hussain and he changed it to Javed Ali, as a mark of respect to his guru Ghulam Ali).

Post the Ghazal session, he sang Nagaada as promised and closed the lovely concert thanking the audience, promising to come back to Chennai soon.

By Aravind on Wednesday, June 27, 2012 at 10:07 AM Post Categories:
Tamil film comedian Mayilsamy and Lakshman (of "Lakshman Shruthi" Orchestra fame) came up with this full length comedy audio cassette named Sirippo Sirippu in Late '80s. While browsing through my old cassettes, I came across this gem. I have converted this to MP3 and shared here for everyone's enjoyment :)

Download Links:
Embedupload
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By Aravind on Thursday, April 26, 2012 at 8:26 AM Post Categories: ,
There's acute power shortage in Tamilnadu, and the number of hours of load-shedding keeps increasing by the day! Apart from the usual announced power-cuts, which may range from 2 hours to 8 hours per day, we are now getting used to several hours of unannounced power cuts.

Our area yesterday was affected by an unannounced power-cut last night. There was a sudden power cut at around 6.15 pm last night. Feeling bored, I picked up my camera and started experimenting shooting in candle light and then the candle flame itself :)
But, being summer, it was getting hot making it impossible to stay indoors. There was no indication that power would resume anytime soon. Moved to terrace and started clicking constellations.

My new Canon 50mm prime lens was really useful for shooting the stars, owing to the large aperture. Spent close to 4 hours on the terrace shooting various constellations and also Jupiter and Venus. The light pollution played spoilt sport as many of the lower magnitude stars weren't clearly visible.

Here are a few pics (all pics shot with focal length of 50 mm and aperture f/1.8)
Orion (The hunter). The star in the top right is Betelgeuse. I was surprised that the reddish colour of the star is visible in the photo.


Jupiter (left) and Venus (right) were next to each other. Glorious sight!


Canis Major. The bright star is Sirius, the brightest star in the sky. That's supposed to be the eye of the dog.


Ursa Major. You can even see the twin (Alcar) of the 2nd star in the tail (Mizar). (please click the pic to see the larger version)
By Aravind on Thursday, March 15, 2012 at 7:39 AM Post Categories: ,

Was planning to do something special for ARR's birthday this year. And this idea cropped up a few weeks back - an orchestral version of Vellai Pookkal.

So, here it is - My tribute to Rahman sir on his birthday:


If this doesn't work, here's the direct soundcloud link: http://snd.sc/yRwF3F
If that doesn't work either, mail me or post a comment.
By Aravind on Friday, January 06, 2012 at 6:49 PM Post Categories: , ,
3 Months back, Harish (http://magixncurses.blogspot.com) and I conducted A.R.Rahman quiz on Twitter, to celebrate Rockstar audio launch. Harish is the brain behind most of the questions.

(you can access the previous quiz here: Part1 and Part2.)

Here are the questions. Post your answer in comments. Will post the answers and results on 26th Dec (Monday).
You can find the answers below each question. Hover over smudged/blocked text to reveal the answers. If it doesn't work, just select the text, and you'll be able to see the answers.

Q1. What’s the significance of what you see here?
A1. Haji Ali Dargah (Mumbai), Dargah of Moinuddin Chishti (Ajmer), Hazrat Nizamuddin Dargah (Delhi) - Each of them has inspired AR to compose an evergreen qawali- Piya Haji Ali, Khwaaja Mere and Kun Faya Kun (of course it'll be evergreen!)

Q2. We've known directors to pen lyrics (Shankar, Mani Ratnam, Tyrewala). Give us an instance of a lyricist lending his voice in a Rahman song.
A2. Mehboob in Dhakka Laga Bukka (Yuva), Raqeeb Alam in Jiya Se Jiya (Connections)

Q3. Identify the singer of this song


A3. Shreya Ghoshal! That’s the female version of Aaromale. Should’ve been Aarofemale. No? Ok.

Q4. Paarthale Paravasam, Ada, _________, Blue, Jhootha Hi Sahi. Fill in the blank.
A4. Jaane Tu Ya Jaane Na. Rashid Ali is the connect.

Q5. Identify the voice in this clip
 
A5. Sivamani. Palakkad sriram did the jathis (bols), while the Love Check, 1,2,3,4 were in Sivamani's voice.

Q6. Connect Naan Eppodhu (Sakkarakatti), Dekho Na and Kalvare.
A6. The original versions of all of them (Yeh Rishta, Baba Kichu Tha, Khili Re) were sung by Reena Bhardwaj

Q7. Grandchild of the 1st CM of what is now Kerala, she sang jingles for AR before her career was revived in a spectacular fashion. Who?
A7. Sujatha Mohan

Q8. Listen to the 2 clips from Jhootha Hi Sahi and put fundae!
 
A8. Before naming it JHS, Abbas called it “1800-Love” and later “Call me dil”. AR included them all. The beeps were 1800 punched on a phone! (beep-beep-beep-beep-Love = 1-8-0-0 Love)


Q9. Two people featured here share the same birthday. One is Kamal. Who's the other?

A9. Singer Srinivas

Q10. Two BGMs fused in to this Rock piece. Identify the songs :)

A10. Pachai Kiligal (Indian) and Vennilave (Minsara Kanavu). Fresh off AM (Aravind) Studios :D
Here are the original interludes, from the songs.
 

Q11. Give us Indai Haza's twitter handle.
A11. @Chinmayi - Rahman gave the name “Indai Haza” to her Arabic singing alter ego :) In “Miss You Da” she’s credited with both names!

Q12. Connect: Boom Boom Robot da, Pudhiya Manidha, Maja Maja, Chikku Bukku Rayile, Eechi Elumichi.
A12: Sung by people whose parents have sung for ARR too! (Swetha->Sujatha, Khatija->ARR, Charan->SPB, GVP->Raihana, Manoj->Bharathiraja)

Q13. Identify the voice
 
A13. Karthik

Q14. Name a Rahman song picturised on a couple of tamil comedy artists (No, Nee Marilyn Monroe will not be counted as a valid answer!)
A14. Coimbatore Maanukutti picturised on Vadivelu and Kovai Sarala

Q15. Ahora conmigo, tu baila para hoy.. Por nuestro dia olvidas, los problemas que sean.. Salud! Baila Baila! Identify the lyricist.
A15. Tanvi Shah

Q16. a) Name the 1st song that Rahman composed and sang in English. b) Name the 1st song that Rahman composed and sang completely in English.
A16. A) Musafir (Vande Mataram) B) Pray for me brother

Q17. Identify the lead male singer in this clip
 
A17. Benny Dayal. It's the Tamil version - There's a clear difference in the interludes in Tamil and Hindi.

Q18. Connect Roobaroo, Rozaana, Saiyyan (Nayak), Munbe Va, Omana Penne
A18. Sung by singers who were popular music reality show contestant! (Naresh Iyer, Viva, Sunidhi Chauhan, Shreya Ghoshal, Benny Dayal)

Q19. Find the odd one out in this clip.


A19. Irumbile. Everything else was sung by Suzanne. She sang the hindi version of Irumbile.

Q20. Identify the voice in this clip.

A20. Conductor Srinivasa Murthy

Q21. Connect!

Hint:  Focus on the names.
A21. Lakshmi Narasimha Vijaya Rajagopal Sheshadri Sharma Rajesh Raman - aka Blaaze!

Q22. Connect Aalalakanda, Semmozhi anthem, Ballelakka, Oh Maria
A22. Music composers have lent their voice in these songs.

Q23. Something strange happened in 2004 and 2006. It had never happened since 1993 and has not happened since. What?
A23. The only years since his debut when ARR did not get any Filmfare awards.
(Another interesting answer came from Bharat KV - Those are the only two years in which ARR performed Haj)

Q24. Okay, this question is a little tricky. Go through all the odd numbered questions and the answers till now, and make a note of people related to each question. Find a connection (please note: order is important)
A24. A.R.Rahman, Shreya Ghosal, Sivamani, Sujatha Mohan, Srinivas, Chinmayi, Karthik, Tanvi Shah, Benny Dayal, Suzanne D'Mello, Blaaze, A.R.Rahman. The 12 of them feature in AR Rahman Foundation Official Calendar 2011, in that same order :)

Q25. Rockstar achieved a feat that was missed by Duet, Lagaan and Swades thanks to Yesudas, ARR and Vijay Prakash respectively. What?
A25. Given the number of voices Rahman experiments with, it's very rare that the lead actor lip-syncs to the same singer. Duet missed out with Yesudas singing one, Lagaan with Rahman/Srinivas and Swades with Vijay Prakash. Rockstar has Mohit all the way!


Here are the scores:
  • Bharat KV - 15.5*
  • Maanasaa & Envyram - 14 † ‡
  • Kanchna Subramaniam - 12.5
  • Kranthi Chand - 10
  • Sandeep - 9 
  • the hyper enthusiast  - 5


Clearly, Bharat tops the quiz, followed by Maanasaa & Envyram and Kanchna.


Congrats guys!!


*Q23 - We'd asked for a "strange" occurrence. Haj can't be labelled as strange. Hence, partial points.
Q22. The parents of the singers are not just film personalities, but they themselves have sung for ARR. That was the connect we were looking for. Hence, partial points.
Q17 - The clip is from the tamil version and not the Hindi version and hence, Benny is the correct answer. If both Benny and Sukhwinder are mentioned in the answer, I've given just partial points.
 
By Aravind on Wednesday, December 21, 2011 at 11:24 AM Post Categories: ,
This is part two of the ARR Quiz. You can find part 1 here.

Pls post your answers in the comments section. I'll post the answers and the points scored, on 16th Oct 2011 (Sunday).
You can find the answers below each question. Hover over smudged/blocked text to reveal the answers.

Here we go:

Q 11: Which performance was this? Name of the place will do.

A11: City of Birmingham Symphony Orchestra 
 
Q 12: Clip 3 - Identify the song from this manipulated clip.

A12: That was "Satrangi Re" (Dil Se) played in reverse 

Q 13: Dream, Desire, Buddy, Sizzle, Little One - What are these?
A13: Names of the Ringtones created by Rahman for Airtel

Q 14: Who's this "Black Sheep"? tongue

A14: Vanessa Mae. The track is Raga's Dance from her album Choreography.

Q15: Something interesting happened after Sabaq Aisa (Tehzeeb) and before Sandai Kozhi/Kabhi Neem(Aayitha Ezhuthu/Yuva). What?
A15: Sujata Bhattacharya's name changed to Madhushree. Rumour is that it was Rahman who selected the name!

Q16: What AR Rahman connect makes these two movies special: Kandukondain Kandukondain & Kadhal Virus.
A16: AR Rahman appeared on screen in both these movies.

Q17: Connect:

A17: Songs from these 3 movies made it to the Oscar longlist, but didnt get nominated. 

Q18: What's common between these two songs:

A18: Star and Alli Arjuna had songs dubbed from other languages. These were only original compositions in the albums.

Q19: Which movie connects Kadhalukku Mariyadhai and Jodi.
A19: Doli saja ke rakhna. Kadhalukku Mariyadhai was remade as DSKR. All of DSKR songs were reused in Jodi.

Q20: Connect: Rehna tu (Delhi 6), Acid Darbari (127 Hours) and Phir Mile Sur.
A20: Rahman played Continuum Fingerboard in all of these.



Results

Radhakrishnan Subramanian and Aditya Nataraja top the quiz with 9 points each!




Followed by:
sandeep18march  - 5
Rahmanic (Prasannavenkatesh) - 4
Abhinav - 2

Congrats!

Will post the next quiz shortly!


By Aravind on Monday, October 10, 2011 at 5:09 PM Post Categories: ,
On 5th Jan, Harish (http://magixncurses.blogspot.com) and I conducted A.R.Rahman quiz on Twitter, to celebrate AR Rahman's birthday (Jan 6).

Posting first 10 questions here for everyone to attempt. The next 10 will follow.

We conducted a tougher quiz recently to celebrate Rockstar audio launch (but we're still awaiting the CDs as I write this, thanks to T-Series and their unprofessional ways of running the business). Will post that quiz too, later.

Now, post your answer in comments. Will post the answers and results on 10th Oct (Monday).
Answers posted below each question. Hover over smudged/blocked text to reveal the answers.


Pls post ur bouquets and brickbats too in the comments. Harish and I will pick them up :)



Q 1: Clip 1: Whats special about this interlude?
A 1: It's not a flute. It was actually whistled by ARR.

Q 2: Name the first ARR song to be sung by someone from the Raja family.
A 2: Semmozhi - Yuvan

Q 3: Connect Pudhiya Manidha (Endhiran) and Na Na (Couples Retreat)
A3: ARR's kids sang in these songs. Kathija in Pudhiya Manidha and Ameen in Na Na.

Q 4: Clip 2: Name the two instrumentalists.
A 4: Raju and Kadri Gopalnath

Q 5: This was for a UN campaign. What campaign?

A 5: Stop TB campaign

Q 6: SPB : Kumar Sanu :: Chitra:    ?   
A 6: Alka Yagnik. Kumar Sanu has sung only one song for ARR - Mil Gayi (Kabhi Na Kabhi) which is a hindi version of Anjali Anjali (Duet)

Q 7: Connect: Bombay, Fire and Lord of War
A 7: All 3 movies featured the soulful "Bombay Theme" music.

Q 8: Apart from Sreenivas and Nithyashree, who are the other singers who have sung in Minsara Poove (Padayappa)?
A 8: Hariharan and Palghat Sriram. Apparently, 8-10 mins of Harijis aalaps was recorded for this song!

Q 9: Connect: Pettai Rap (Kadhalan), Veera (Raavanan), Noor-un-Ala (Meenaxi)
A 9: Lyrics for these songs were penned by the directors of the respective movies.

(Hint: We wanted to include songs from JTYJN and Jhootha Hi Sahi, but then we'd have had to include all songs from these albums)

Q10:

PS: Shankar mahadevan is a singer by profession is a trivial fact. We're looking for much a much more interesting answer :D
A 10: All of them have sung for ARR, but only Simbhu did not appear in the video of the song which he sang (Baila More-Kadhal Virus)


Here are the scores:
Arvind - 8
Arun KB - 7
Bhargavi Sekhar - 7
Vijayan - 6
 Congrats guys! Hop on to part 2 :)
By Aravind on Sunday, October 02, 2011 at 5:02 PM Post Categories: ,
After Hum Dil De Chuke Sanam, the media called composer Ismail Darbar the next big thing in Hindi film music. And, I should say that was well deserved. The music was indeed very good. After a couple of not-so-good albums, he again came back with another good album - Devdas. After that, no-one hears of him except when he judges reality shows or when he makes ridiculous statements.

A few years back, he mentioned that he considers AR Rahman, his Guru.
"I call him (A.R.Rahman) Guru. He also respects me..." "I remember he won at two different award functions; he went on to win for Taal and Saathiya. See the humility in him... he called me through lyricist Mehboob and said that I deserved both the awards (for Hum Dil De Chuke Sanam and Devdas). That's why I respect him"
(from http://www.flickr.com/photos/arrahmanfans/377089831/)

But, before this interview, came this interview:
"My work has always been better than his. Hum Dil De Chuke Sanam was better than Taal. Even Devdas was better than Saathiya.
But it is destiny that he got international fame. Angrezo ne uska haath pakad liya hai toh logo ko lagta hai ke yeh kuch zyada hi hai (Foreigners encouraged him so people think he is very good).
I am not saying this because of jealousy. This is the bitter truth. Whenever my work is good and he takes the awards, I feel bad.
I wonder why people run after name and fame, and not good work. Kyunki hamare yahan bahut kum akal ke log hai (we have very few intelligent people here). We see some foreigners holding someone's hand, and he becomes a big man."

(from http://in.rediff.com/movies/2005/mar/08minter1.htm)

Now, that we have seen what a two faced person Mr Ismail Darbar is, let's come to the latest controversy!

His recent allegations are the most ridiculous yet from him, the allegations being AR Rahman buying the Oscars, AR Rahman "stealing" credits, the entire industry being behind Rahman though they are "aware" of all this, the national awards committee flouting rules just so that they can give an award to Rahman.

If you think these are too ridiculous to be true, here's the interview published in Mid-Day.Justify FullLets look at these one by one and we'll see how non-sensical Mr Darbar's claims are!

So, he talks about Oscars being bought. What about the two Grammys? What about BAFTA and Golden Globe? And, BFCA Critic's choice and all the numerous other awards that AR got for Slumdog Millionaire? Paid money to the jury of every single of these academies? Laughable isn't it? Mr Darbar, what do you have to say?

And, Rahman stealing credits? This must be the biggest joke. Everyone in the music industry knows it was Rahman who introduced the system of crediting all musicians and harmony singers. He gives credits where due. So very often, we see harmony singers and musicians thanking Rahman for crediting them and making them known to the world! Mr Darbar, what do you have to say?

He says Saathiya pipped Devdas at the National Awards, and Saathiya was chosen despite it being a dubbed film. First of all, Saathiya was NOT a dubbed film. Second, AR never won a national award for Saathiya. Mr Darbar, what do you have to say?

What could be the reason for this sudden? There's news that he's joining politics. May be he's trying to garner some attention before his plunge into politics! Only Mr Darbar can answer!

We can say only one thing -
He seems to be suffering from some serious mental disease.
So, get well soon, Darbar!


By Aravind on Wednesday, June 01, 2011 at 11:33 PM Post Categories:
Woohooo! My fav song from Raavanan (Naan Varuven) has a proper music video now, featuring AR Rahman and Aishwarya Rai! :)

It feels great to know that work on this video should have been in progress, while I was writing a post about that song!

By Aravind on Saturday, January 22, 2011 at 7:55 AM Post Categories: ,
*Warning: Could contain spoilers*

As a fan of Kamal's comedy movies, I was eagerly looking forward to Manmadhan Ambu. Reviews from my friends who watched it first, were not encouraging, but press/media reviews were mostly positive.

I went to the theater with an open mind. As the movie kept unfolding, I was being drawn into it. As Ambu realizes the truth, and the movie breaks for intermission, I was so in awe of the film. I felt, after such a lovely first half, nothing could go wrong to make it bad. I was wondering how this movie could get negative reviews! I was thinking to myself that it didn’t deserve the bad reviews it got.

Post the intermission too, it was all going fine. Till the last 20 mins, where Mannar and co, start making plans to stage a “drama”. That’s where the film lost track. To me, the movie till that point and post that looked like two different films. First, a very mature story, and then, a very childish slapstick episode.

I felt cheated. Totally. It was as though the filmmakers were making a mockery of the audience, for having en the first half so seriously and building up expectations.

It is not that I hate slapstick comedies. I loved MMKR. Hell, I love Kadhala Kadhala too. And, the last 20 mins of MA kept reminding me of Kadhala Kadhala. But, while similar strategy worked in KK, it didn’t work in MA. But, why would that happen? When you watch KK, you are prepared for slapstick for, it is slapstick from start till end. You go there for slapstick, you get slapstick. You are happy.

In case of MMA, there are very few laughs in the first half (though the ads and promos project this as a full-length comedy), but I loved the few comedy sequences as none of it was not forced. It is as though, just to justify that it is a comedy movie, all the final nonsense was forced in. But, why do that? Why project it as a comedy movie?

To me, it looked like Kamal & Ravikumar co somehow weren't clear what they want to serve. After a classy first half, they probably got worried that it was not mass enough, and tried to make it slapstick! And, that's why it didn't work for me!
By Aravind on Saturday, January 15, 2011 at 4:55 PM Post Categories:
Ah! It's been really long since I blogged! But, I knew I wanted to come back! It was as though I was saying to myself "Naan varuven, Meendum Varuven" ("I'll be back") :D

So, before I start writing about the song which I've been listening to a LOT in the past few days, here's wishing everyone a very happy new year!

Ok, now... the song is "Naan Varuven" from Raavanan. This song wasn't there in the audio CDs that were released initially, but was included in the Raavanan collectors edition pack (which has a DVD with making of the music + a CD with 5 additional tracks, including Naan Varuven).

To me, Naan Varuven is the best song of the album. After having listened to the song a couple of times at the cinema (if you are not aware, it's the end credits song) and the unofficial rips several times, I was waiting for the official release! And, so overjoyed was I when I got the collector's edition disk, for just this one song.

What's so special about the song, you ask? The music, the lyrics and the expressive singing - all just so perfect for the situation.

Let's look at it from Veera's point of view, shall we? This song plays in the movie, just as Veera (Vikram's character) is shot, and is dying. He just got to know that Ragini (Aishwarya Rai's character) likes him. As he is dying, his life, his desires, his dilemmas, his love - everything probably flashes before his eyes.

Now, lets look at the lyrics. The song starts of with
"Naan Varuven,Meendum Varuven,
Unai Naan Thodarven, Uyiraal Thoduven".

He's just realised that his sweetheart likes him, but he doesn't want to go away, he only wishes to come back and live with her - at least in spirit (probably, as a spirit, even... who knows? :P)

Then, spring the dilemmas in his mind. He is clueless as to how everything changed so suddenly. Ragini, who didn't heed to his love all these days, has suddenly turned around. He has so many questions about his life, but doesn't have answers. Just as he begins to get some clarity, the entire game changes. He's won her heart, but he's going away from this world! He feels all his dreams are making a mockery of him and are jeering at him! Look at how elegantly, Vairamuthu has brought this out in his lyrics:

Oru pillai ezhudhum kirukkal thaan vaazhkai-ah?
Adhil artham thedi alaivadhey vetkai-ah?
Artham puriyum bodhu vaazhvu maarudhu
Vaazhvu maarum bodhu artham maarudhu.
Oru kanavu kaatril midhakkudho?
Adhu midhandhu kondu sirikkudho?
Sheer brilliance, no?

Now, lets come to the musical brilliance. This song's mood is in contrast to the film's entire score, which has a tribal flavour with heavy rhythms, to show the crudeness/roughness of the character. But, this song is so soft? Why would that be? I think, it is to show the peace and calm that engulf him, as he embraces death. He is happy knowing Ragini's feelings, but he also knows he is dying. He is not angry, but he is disappointed and confused!

And then, we have the African vocals. The African sounds were used throughout the movie to bring out the tribal feel. And, it flows into this song too, albeit in a softer form. To signify that his rough animal qualities have toned down, and love has made him softer? That's my guess!

Notice the mystic ambience that Rahman has created with his music. Right from the mellow opening piece and the unique ARR voice which bundles in so much of emotions, to the twisting flute pieces interspersed through out the song, Rahman knew what he was doing, and did it perfectly.

It was said that this song was not planned initially, and was composed and added as an afterthought. I think, nothing else could have been better to end the movie. The song adds so much emotion to the climax. When three wizards like Mani, ARR and Vairamuthu join hands, you expect extra-ordinary magic! This song is one such - a true masterpiece.

Song: Naan Varuven
Album: Raavanan (Collector's edition)

Singers: A.R.Rahman, Jali Fily Cissoko
Lyrics: Vairamuthu.

By Aravind on Saturday, January 01, 2011 at 8:47 PM Post Categories: , ,
After Aligarh Muslim University and Anna University, it is the turn of London based Middlesex University to confer a doctorate on ARR!

After the recent global recognition, there's no stopping him!!
By Aravind on Tuesday, March 31, 2009 at 11:54 PM Post Categories: