Here is a review that appeard on Indian Express:
Any music becomes significant based on melody or
harmony or both.While melody is intrinsic and
spontanious, harmony is invariably introduced. That is
the reason why many of our folk songs and carnatic
music rely heavily on melody than on hormony. Western
music is known more for its harmony. There is
absolutely no bakthi in it. They concentrated more on
their technical wizardry and intellectual creativity.
Fusions are always odious and many times atricious.
The most grotesque fusion of recent times is the much
hyped Isai Gnani Ilayaraja's "Thiruvasakam in
Symphonic Oratorio".
How can purely South Indian Tamil devotional verses
fit into a totally alien orchestral extravaganza,
however chaste and perfect it might be? The tunes of
Ilayaraja for the Thiruvasakam carry vague
resemblancesto his film songs with weak notes of
Kalyani, Shanmugapriya and Sudha dhanyasi. Listeners
are assaulted by a chorus in English at the most
inappropriate junctures. The cover of the album says
that this is a cultural crossover, I feel it is
anothing but cultural aggression. As an ardent Raja
fan, I have only one word to say about the album:
Sorry.
Adi
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